'The Bootleg Sounds of Marshall Crenshaw: 1984-87' Released
(TRR) Acclaimed singer, songwriter, and guitarist Marshall Crenshaw releases The Bootleg Sounds of Marshall Crenshaw: 1984-87 today via Yep Roc Records.
Personally curated from his archives, the 14-track collection brings together previously unreleased home demos, live performances, and long-lost studio recordings, offering a rare glimpse into Crenshaw's creative process during a particularly fertile period in his career. Originally released as a limited-edition Record Store Day title earlier this year.
Among the collection's highlights is a previously unreleased rendition of Buddy Holly's "That'll Be the Day," featuring Gary Tallent and Max Weinberg of Bruce Springsteen's E Street Band. The track is a nice homage for Crenshaw, whose deep connection to Holly's music famously includes portraying the rock 'n' roll pioneer in the 1987 La Bamba.
The Bootleg Sounds of Marshall Crenshaw: 1984-87 takes listeners behind the scenes of Crenshaw's songwriting and recording process, with early demos of songs that would appear on his third and fourth studio albums, Downtown (1985) and Mary Jean & 9 Others (1987). Alongside live recordings from 1986 and 1987, along with other rediscovered studio material, the collection captures songs in various stages of development, offering an intimate portrait of an artist at work.
One of the album's most intriguing discoveries comes from "(We're Gonna) Shake Up Their Minds." After hitting a songwriting block, Crenshaw sent the backing track to acclaimed British singer/songwriter Kirsty MacColl to see where she might take it. "Kirsty wrote a song to the track called "All I Ever Wanted", but by the time I got it back from her in the mail, I'd figured out the storyline to "Shake Up Their Minds," and finished that song myself," Crenshaw recalls.
Five years later, MacColl recorded "All I Ever Wanted" for her album, Electric Landlady, and released it as a UK single. "I'm presenting the sequence the way I found it on the tape reel: my demo, followed by the last bit of her demo, which I'd accidentally recorded over."
Stream the album here
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